Δευτέρα 10 Σεπτεμβρίου 2012

John's Children - Orgasm (British Mod Invasion 1970)

Because Marc Bolan -- soon to become T. Rex -- was briefly a member, John's Children are perhaps accorded more reverence by '60s collectors and aficionados than they deserve. Still, they were an interesting, if minor, blip on the British mod and psychedelic scene during their relatively brief existence (1965-1968), although they were perhaps more notable for their flamboyant image and antics than their music. Yardbirds manager Simon Napier-Bell recalled that they were "positively the worst group I'd ever seen" when he chanced upon them in France in 1966, yet he was conned into taking them on as clients. Not proficient enough to be trusted to play on their own records, their first single, "Smashed Blocked"/"Strange Affair," was recorded with sessionmen in late 1966. This disorienting piece of musical mayhem, opening with a crescendo of swirling organs and an otherworldly over-reverbed vocal, was one of the first overtly psychedelic singles. Their improbable saga was launched when the single actually reached the bottom depths of the U.S. Top 100, cracking the Top Ten in some Florida and California markets. The group's U.S. company, White Whale, requested an album, which they shelved when it was received -- an LP with the then-unthinkable title of Orgasm. The actual album consisted of mediocre studio material smothered in audience screams lifted from the A Hard Day's Night soundtrack, and was, bizarrely, actually released in 1971 (and reissued a decade later). Their second single, "Just What You Want -- Just What You'll Get"/"But You're Mine," reached the British Top 40 and featured a guitar solo by recently departed Yardbird Jeff Beck on the B-side. A brief German tour followed, during which they managed to upstage the headliners, the Who (with their theatrics, not their music). At this point, Marc Bolan joined the group for a time as their principal singer and songwriter; details are hazy, but he recorded at least one single with the group, "Desdemona" (which was banned by the BBC for the line "lift up your skirt and fly"), as well as several unreleased cuts that have surfaced on reissues. Bolan departed in a squabble with Napier-Bell, and the group released a couple more flop singles before disbanding in 1968. Their half-dozen singles rank among the most collectible British '60s rock artifacts, and the group -- who managed some decent modish power pop once they learned their way around their instruments a bit -- were acclaimed as pre-glam rockers of sorts by historians. Andy Ellison (the group's lead singer except during Bolan's brief tenure) recorded some decent pop singles at the end of the '60s, and members of John's Children were involved with the obscure British groups Jook, Jet, and Radio Stars in the '70s.

AMG Review by Richie Unterberger

Παρασκευή 7 Σεπτεμβρίου 2012

Brian Auger's Oblivion Express - Brian Auger's Oblivion Express (Great Jazz-Rock Fusion 1970 - debut album)

The first outing by Brian Auger's jazz-rock ensemble the Oblivion Express, first issued in 1971, is one of the great masterpieces of jazz-rock fusion. Auger, having just disbanded his longtime band the Trinity in 1970, still had plenty of rock and roll in his system. His yearning for the open frontiers of electric jazz was certainly the driving force -- in the same way that it was for Miles Davis on A Tribute to Jack Johnson, and Lifetime was for Tony Williams -- but it was anchored in the visceral application of rock. With guitarist Jim Mullen, bassist Barry Dean, and drummer Robbie McIntosh, Auger charted into the unknown. This album fits like a glove, each tune moving ever forward into the next. From the opening knotty, rhythmic twists in "Dragon Song," to the subterranean counterpoint in "Total Eclipse," to the band's theme song that closes the album with its pumping bass and guitar interludes, and Auger's Lemmy Kilmister-like vocals, Oblivion Express is a classic in its genre. There is a rawness in passion and intent here that is balanced by wondrously imaginative arrangements for rock band instrumentation, and an aesthetic that is disciplined and visionary.

AMG Review by Thom Jurek

Τετάρτη 5 Σεπτεμβρίου 2012

Smith - A Group Called Smith (1969 Los Angeles Blues Rock with a touch of Soul)

Basically a mainstream pop/rock band with hard rock and soul-influenced arrangements, Smith hit the Top Ten in 1969 with their drastically revised cover of the Shirelles' "Baby It's You." Featuring three lead singers and a B-3 Hammond organ, their strongest asset was their most frequent vocalist, Gayle McCormick, an accomplished female blue-eyed soul belter. Most of their material consisted of covers of popular rock and R&B tunes, and they broke up after a couple of albums, though the singles "What Am I Gonna Do" (co-written by Carole King) and "Take a Look Around" made the middle of the charts. McCormick had a couple of small hits in 1971 and made a few albums in the early '70s as a soloist.
Their debut album, featuring "Baby It's You." The CD reissue adds five significant bonus tracks: the singles "Take A Look Around" and "What Am I Gonna Do," Gayle McCormick's solo singles "Gonna Be Alright Now" and "It's A Cryin' Shame," and Smith's version of "The Weight," which was included on the Easy Rider soundtrack.

AMG Review by Richie Unterberger




Δευτέρα 3 Σεπτεμβρίου 2012

Happenings - Piece of Mind (1969 US Sunshine Pop)

Geez, if you'd asked me about The Happenings I probably would've smirked at you and said something along the lines of 'lame assed, Tokens-styled pop group'. Shows you that I don't know squat. Actually, for the most part my snide com- ments would have been right on the mark. What I didn't know is that late in their careers the group somehow managed to record one all but ignored killer album.

1969's self-produced "Piece of Mind" is simply unlike anything else in their catalog. Like many of their contemporaries (The Four Seasons and The Tokens readily come to mind), this album was apparently a last ditch effort to modernize the group's sound in the hopes of expanding their rapidly dwindling audience. The results aren't perfect, but anyone who knows these guys for hits such as 'See You In September' and 'Go Away Little Girl' will be amazed to hear original material such as 'Heartbeat', 'Living In Darkness' and 'Be My Brother' . With bassist Dave Libert and guitarist Bob Miranda responsible for the majority of the twelve tracks, the band turned in surprisingly impressive slices of lite-psych and rock. An impressive blend of their patented harmony vocals and some interesting studio effects, the set's high points are probably the rocking 'Don't You Think It's Time' and the six minute plus 'Imagine'. In addition to an inter- esting song structure the latter even sports a cool Eastern-flavored Bernie LaPorta guitar solo. One more song like that and the LP would've warranted four stars. Besides, ever imagine you'd hear these guys singing a song entitled 'Where Do I Go / Be In (Hare Krishna)'? Mind you, old habits die hard and it was probably too much to expect the group to totally abandon their old ways. 'Cold Water', 'New Day Comin' and the country-flavored 'Piece of Mind' were suffi- ciently schmaltzy to appeal to their older fans. The bizarre cover art is almost worth an additional half star.~~~~ Editors response: Growing up in the late 60s rock and pop harmony didn’t fit in most record buyers head’s. You were either into melody and harmony or you hated it and wanted sceamin’ guitar chords and pounding beat with as little melody as possible. After all this was new and innovative. This has persisted today with many as this reviewer shows. But many who loved melody and perhaps rejected rock at the time can now see how the blend the Happenings tried on this album was a fine mix of old qualities with new...and by retaining a sense of humour with ‘Cold Water’ and ‘Piece of Mind’ the group obviously caught this reviewer ‘cold’. Maybe he will in time appreciate what the Happenings where and what they became. Both were excellent.

When I got this photo from John Paiva of the group in 1972 I thought it must be one of the earli- est examples of a touched up photo. That ‘hair’ cannot be real....no-one with hair like that could be taken seriously. John Paiva corrected us... “All genuine hair....and original fashions. The long blond hair guy is Ted Clancy (Guitar) who is today a music professor at a NJ Uni. The guy with the big hair (totally real by the way,) was David "Chico" Ryan (bass). He was a wonderful funny guy who lived life at a very fast pace. He was offered a gig with "Sha-na-na" of "Wood Stock" fame and after joining them became quite famous as they toured and eventually had a weekly TV show.
When Dave was offered the gig he told me about it and asked what he should do. I told him that if he didn’t go to the audition, that I would, so the next morning he drove to the city and nailed down the gig. Unfortunately later on he met with a sad acci- dent and choked on food in Las Vegas. Due to oxy- gen starvation he spent the next couple of years in a coma. A truly sad ending to a great guy.

The fashions are I think pretty cool. I am wearing a top that a girl I met on Cape Cod made for me. It was a real fashion statement. In the middle is Frank Marcario (drummer) with whom I still have contact. Maybe in a follow on article he will be able to contribute.
http://www.thehappenings.com/