Lizard  is very consciously jazz-oriented -- the influence of Miles  Davis (particularly Sketches  of Spain) being especially prominent -- and very progressive,  even compared with the two preceding albums. The pieces are longer and  have extensive developmental sections, reminiscent of classical music,  and the lyrics are more ornate, while the subject matter is more exotic  and rarified -- epic, Ragnarok-like  battles between good and evil that run cyclically. The doom-laden mood  of the first two albums is just as strong, except that the music is  prettier; the only thing missing is a sense of humor. Jon  Anderson of Yes  guests on one key number, "Prince Rupert Awakes" (which  vocalist/bassist Gordon  Haskell never completed), and the album is stronger for his  presence. At the time of its release, some critics praised Lizard  for finally breaking with the formula and structure that shaped the two  preceding albums, but overall it's an acquired taste.AMG Review by Bruce Eder
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