By the time of  David Gilmour's solo debut, he had not only established himself several  times over as an underrated, powerful guitarist in Pink  Floyd, but as a remarkably emotional singer, his soothing approach  perfectly suited to such songs as "Wish You Were Here." The self-titled  album, recorded with journeyman bassist Rick  Wills and Sutherland  Brothers drummer Willie  Wilson, later to be part of the touring Floyd  lineup for its Wall  dates, isn't a deathless collection of music in comparison to Gilmour's  group heights, but is a reasonably pleasant listen nonetheless.  Certainly it's much more approachable than Animals,  released earlier that year, eschewing epics for relatively shorter,  reflective numbers. While Gilmour wrote the vast majority of the songs  himself, the most successful number was co-written with Unicorn  member Ken  Baker: "There's No Way Out of Here," an agreeably dreamy, wistful  song featuring an attractive acoustic slide guitar/harmonica hook. That  it sounds a bit like a Pink  Floyd outtake certainly doesn't hurt, but one figures Roger  Waters would have tried for some heavily barbed lyrics to offset  the melancholy. Throughout the album Gilmour sounds like he's having  some jamming fun with his compatriots in his own particular  blues-meets-the Home Counties style, adding keyboard overdubs here and  there (his efforts are passable, but it's understandable why he's known  for his guitar work first and foremost). Numbers of note include "Cry  From the Street," with its fully rocked-out conclusion, the sweetly sad  "So Far Away," one of his best vocal showcases, and the concluding "I  Can't Breathe Anymore," capturing the recurrent Pink  Floyd theme of isolation quite well. While one would be  hard-pressed to hum a memorable melody outside of "There's No Way Out of  Here," it's still a good enough experience for those who enjoy his  work. AMG Review by  Ned Raggett
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