After recording the material that would later comprise the bulk of Invisible Hits, the Soft Boys recorded their masterpiece, the shimmering neo-psychedelic Underwater Moonlight.  Essentially, the band didn't change their style for the record -- they  merely perfected it. The Soft Boys don't hide their influences --  whether its the ringing guitars of the Beatles and Byrds or the surreal humor of John Lennon and Syd Barrett -- but they assimilate them, resulting in a fresh, edgy take on '60s guitar pop. Robyn Hitchcock's  subject matter tends to be more explicitly weird and absurdist than his  influences, as titles like "I Wanna Destroy You," "Old Pervert," and  "Queen of Eyes" indicate -- even "Kingdom of Love" equates romance to  bugs crawling under your skin. But the lyrics aren't the only thing that  are edgy -- the music is too. The Soft Boys play pop hooks as if they  were punk rock. "I Wanna Destroy You" isn't overtly threatening like  their post-punk contemporaries, but with its layered guitar hooks and  dissonant harmonies, it is equally menacing. Furthermore, the group can  twist its songs inside out and then revert them to their original form,  as evidenced by "Insanely Jealous." Although the neo-psychedelic  flourishes are fascinating, the key to record's success is how each song  is constructed around rock-solid hooks and melodies that instantly work  their way into the subconscious. In fact, that's the most notable thing  about Underwater Moonlight -- it updates jangling, melodic  guitar pop for the post-punk world, which made it a touchstone for much  of the underground pop of the mid-'80s, particularly R.E.M.AMG Review by  Stephen Thomas Erlewine
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