 Yet another mysterious and long-lost psych-folk album, Dedicated to the Bird We Love,  originally released in Norway at the dawn of the '70s and then  re-released by Sunbeam in 2006, is a more worthy candidate than most for  its status, if not truly a unique artifact. It's a pleasant enough  listen which mixes and matches its styles in an easygoing fashion.  Thanks in part to the strong quality of Nina Johansen's voice, an  obvious comparison point might be the Shocking Blue, but Oriental Sunshine's  brief is less fierce, hook-driven hits than a more contemplative  ramble. That said, this isn't a spare guitar-and-nothing-else effort  either -- opener "Across Your Life" has a surprisingly thick, busy sound  deep in the mix, with drums, sitar, keyboards, and more turning into a  roiling bed of music at once agitated and strangely serene. This depth  becomes a hallmark of the album, as Johansen and Rune Walle's  singing steps to the fore with the key melodies while the music  unobtrusively fills out the sound. Sometimes the mix does get calmer in  overall comparison, as on songs like "Visions," but it provides a gentle  variety to the album as a result. Flute and sitar appear often enough  to be core to the sound rather than simply window dressing, though  admittedly neither are used in strikingly unique fashion -- as with the  album as a whole, the result is an enjoyable niche rather than a lost  masterpiece flat-out, and once or twice, as with the introduction to  "Unless," the effect feels more clichéd than anything else. (The lyrics  themselves veer there at points too, but never to the point of  distraction.)
Yet another mysterious and long-lost psych-folk album, Dedicated to the Bird We Love,  originally released in Norway at the dawn of the '70s and then  re-released by Sunbeam in 2006, is a more worthy candidate than most for  its status, if not truly a unique artifact. It's a pleasant enough  listen which mixes and matches its styles in an easygoing fashion.  Thanks in part to the strong quality of Nina Johansen's voice, an  obvious comparison point might be the Shocking Blue, but Oriental Sunshine's  brief is less fierce, hook-driven hits than a more contemplative  ramble. That said, this isn't a spare guitar-and-nothing-else effort  either -- opener "Across Your Life" has a surprisingly thick, busy sound  deep in the mix, with drums, sitar, keyboards, and more turning into a  roiling bed of music at once agitated and strangely serene. This depth  becomes a hallmark of the album, as Johansen and Rune Walle's  singing steps to the fore with the key melodies while the music  unobtrusively fills out the sound. Sometimes the mix does get calmer in  overall comparison, as on songs like "Visions," but it provides a gentle  variety to the album as a result. Flute and sitar appear often enough  to be core to the sound rather than simply window dressing, though  admittedly neither are used in strikingly unique fashion -- as with the  album as a whole, the result is an enjoyable niche rather than a lost  masterpiece flat-out, and once or twice, as with the introduction to  "Unless," the effect feels more clichéd than anything else. (The lyrics  themselves veer there at points too, but never to the point of  distraction.)AMG Review by Ned Raggett 
 
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου